Juliet was no ordinary teacher, she was an art therapist and helped people in traumatic situations recover through art.
Her latest post was different. It was at the Oaklands Nursing Home in Worthing, where her ‘students’ were ladies over eighty. She was teaching them art and crafts two afternoons a week. It was a new trial under the NHS.
Juliet saw an incredible change in their spirits once they took up the course. Mildred, 70, for example, was very pale and listless when she first met her. She had lost her husband Joe two years ago and felt very depressed. The agency staff used to leave her for hours on end sitting in her chair huddled under her favourite blanket, looking at her photo album. Yet, now Mildred was on this new course there was no stopping her. Her old self was coming back. Whenever she could she read lots of ‘large print’ art books, even venturing into modern art to her surprise.
In fact, Juliet’s student’s work was in an inspiration; some of it was very good indeed and more students joined her..
One afternoon in the summer, she suggested to them ‘a big challenge’, would they be up for it? They could take part in the West London Care Home Art Project, funded by the National Lottery.
They’d make a huge tapestry which would be made into a permanent fixture in the main hall of the Victoria & Albert Museum. It was to show that art should be available to everyone.
The Project would take over two years . Each student would need to sew several metres each of patchwork. They could do any design they wanted. It was entirely up to them.
She knew Mildred was a still a bit hopeless with the needle and thread, but she was keen to learn. Others like Margerie and Ursula were very good, having worked in a clothing factory up in Liverpool.
The students were so enthusiastic that they decided to do it all on their own, even if their hands were very shaky and told Juliet that they will only show their work at the unveiling. “Charming” thought Juliet.
The ladies worked very hard together on their ‘secret project’. Sometimes they even forgot they had visitors coming. Mildred even cancelled her daughter’s appointment, saying ‘she was busy.’ They said they planned to make the ’21st Century Bayeux Tapestry’. However, they had to bear in mind that not everyone was a whizz at sewing so they had to keep it simple.
Finally, two years later, the group sat right in the front row, with their wheelchairs and blankets and watched the unveiling of the tapestry at Victoria & Albert Museum. The Director, himself, was going to present it. The Queen was going to but had to open a TescoMetro instead on that day. The London press were there and so was Brian Sewell, a leading art expert.
As the Director pulled the curtains, the audience fell silent and suddenly, after a gasp, one of the press exclaimed “But blue is everywhere, the tapestry all blue!”.
“That’s an abstract tapestry for you” squeaked Mildred, ‘Blue, after all the swearing I did whilst I was making it”.
.Juliet, didn’t know where to look so she slid out the back, hoping no one would notice.